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What is the Originality in a Popular Verse? : Some Notes on the Original Voice in Langston Hughes' Panther and the Lash
https://doi.org/10.24544/ocu.20180412-008
https://doi.org/10.24544/ocu.20180412-008f3bd13a7-b7a8-4465-b74f-a8742c9f4a2b
| 名前 / ファイル | ライセンス | アクション |
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本文 (223.8 KB)
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| Item type | 共通(1) | |||||
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| 公開日 | 2018-04-12 | |||||
| タイトル | ||||||
| タイトル | What is the Originality in a Popular Verse? : Some Notes on the Original Voice in Langston Hughes' Panther and the Lash | |||||
| 言語 | en | |||||
| 作成者 |
古賀, 哲男
× 古賀, 哲男 |
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| 権利情報 | ||||||
| 言語 | en | |||||
| 権利情報 | © The Author(s) | |||||
| 内容記述 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | Langston Hughes' last book of poetry is here reasserted as the author's major and critical attempt at summarizing his whole poetic output, rather than being a mere deathbed volume to combat the changing political situation of the times. By carefully documenting and discussing the poet's editorial work of recharging the older poems under the new and changed titles, in addition to the genuinely new poems, it may finally be shown that the principal intent of the poet’s endeavors should lie in resonating his "original" stance in the matters of freedom and democracy, matters which are the two most "popular" themes for black people in America. After a brief introduction of the situation where the poet decides to publish his newest volume of poetry, the question of "originality" is raised as a topic which, in an Emersonian context, never collides with the notion of popularity, but merely accentuates the poet's prophetic vision of racial emancipation and an uplift of the democratic ideal in the mode of a popular address to the masses. The sections titled "The New Beat of The Panther and the Lash," "'American Heartbreak' through ‘Dinner Guest; Me,'" and "Daybreak in Alabama" all tackle to analyze the major poems, and also to ascertain the poet's motive for summarizing his lifelong struggle for racial equality. | |||||
| 言語 | en | |||||
| 内容記述 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | 三上雅子教授退任記念 | |||||
| 言語 | ja | |||||
| 出版者 | ||||||
| 出版者 | 大阪市立大学大学院文学研究科 | |||||
| 言語 | ja | |||||
| 言語 | ||||||
| 言語 | eng | |||||
| 記事種別等 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | 研究論文 = Article | |||||
| 言語 | ja | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| 出版タイプ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| ID登録 | ||||||
| ID登録 | 10.24544/ocu.20180412-008 | |||||
| ID登録タイプ | JaLC | |||||
| 関連情報 | ||||||
| 識別子タイプ | NCID | |||||
| 関連識別子 | AN00029688 | |||||
| 書誌情報 |
ja : 人文研究 en : STUDIES IN THE HUMANITIES 巻 69, p. 5-20, 発行日 2018-03 |
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| 収録物識別子 | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 0491-3329 | |||||
